12/16

The Interrupters

SWMRS
The Regrettes

| All Ages | 8 pm

BUY TICKETS!
The Interrupters

MORE INFO COMING SOON!



    SWMRS

    MORE INFO COMING SOON!



      The Regrettes

      MORE INFO COMING SOON!



        12/30

        Homestead Grays

        Ricky Dean Sinatra

        | All Ages | 7 pm

        BUY TICKETS!
        Homestead Grays

        MORE INFO COMING SOON!



          Ricky Dean Sinatra

          MORE INFO COMING SOON!



            12/31

            Split Lip Rayfield

            Sopchoppy
            Grassfed

            | All Ages | 7 pm

            BUY TICKETS!
            Split Lip Rayfield

            The fire rages on for the powerhouse trio from Kansas, Split Lip Rayfield (SLR), as they celebrate the release of their new record, "I’ll Be Around." The new album showcases the songwriting talents of mandolin player Wayne Gottstine and banjo player Eric Mardis, tied together by the harmony and deep-bass licks of Jeff Eaton. Such songs as "Aces High," "Heart of Darkness," and "The High Price of Necromancy" will take listeners on a journey of love, loss, change, and dark powers, as they discover what lies in the mysterious minds of SLR. The song for which the album is named, "I’ll Be Around," serves as a tribute to the band’s fallen teammate Kirk Rundstrom, whose influence on the band and its path was great. Rundstrom’s legacy continues to live on in the new album and also the band itself as every live show is dedicated to his memory. Split Lip Rayfield has carved out their own genre of music with their unique sound and instrumentation. Often described as a mix of bluegrass and country with an accent of metal, no other band delivers the experience of the homemade gas-tank bass played by Jeff Eaton, sets the mandolin strings on fire like Wayne Gottstine, or makes the banjo sing like Eric Mardis. Together, they burn up speakers and stages alike providing an unforgettable experience.

            OUR LINKS


            Sopchoppy

            MORE INFO COMING SOON!



              Grassfed

              Grassfed is a Kansas City 5-Piece string band. Pivoting on the foundation of bluegrass, Grassfed entwines tradition with an eclectic array of influences. Forged by songwriters, and driven by instrumental conversation, the band drives a punching sound all of its own.

              OUR LINKS


              1/13

              DigiTour:Arctic Lights

              | All Ages | 3 pm

              BUY TICKETS!
              DigiTour:Arctic Lights

              MORE INFO COMING SOON!



                1/13

                The Pickin Pear

                All Ages | 9 pm

                The Pickin Pear

                MORE INFO COMING SOON!



                  1/26

                  Katy Guillen and The Girls

                  Heidi Lynn Gluck

                  | All Ages | 8 pm

                  BUY TICKETS!
                  Katy Guillen and The Girls

                  Katy Guillen and The Girls, out of Kansas City, MO, formed in September of 2012. The blues influenced roots rock trio is made up of Katy Guillen (guitar, vocals), Claire Adams (bass, vocals), and Stephanie Williams (drums). The group’s sound is characterized by Guillen’s searing, lively guitar licks; Williams’ heavy, driving drums; and Adams’ rock solid bass lines. Guillen’s soulful vocals backed by Adams’ intense harmonies add a fierce punch to Guillen’s songwriting. KG&G draw influences everywhere from rock and roll contemporaries like Heartless Bastards and the timeless guitar god Jimi Hendrix to sweet songstress Patty Griffin. They’ve been known to pack a blues and BB-Q roadhouse, just as easily as they will fill up a multi bill rock/alternative venue.

                  OUR LINKS


                  Heidi Lynn Gluck

                  MORE INFO COMING SOON!



                    2/1

                    Hippo Campus

                    Sure Sure

                    | All Ages | 8 pm

                    BUY TICKETS!
                    Hippo Campus

                    Hippo Campus is four Minnesotan boys making music that is simple, joyful, and thematically soaked with the sense of cynicism accompanying the youthful search of self-meaning.
                    The band’s debut EP, ‘Bashful Creatures’, is set for release November 18, 2014. Recorded over two days at Pachyderm Studios in Cannon Falls, MN, the EP was produced by Low’s Alan Sparhawk.
                    With the philosophy that there is beauty among thorns, Hippo Campus presents the world of Bashful Creatures...
                    Kids, Adults, Youth, Age, Tumblr, and Cigarettes. Boots, Younger brothers. Older brothers, Brothers from other mothers, Summer, Friends, alcohol, drugs, and a touch of Boredom. Heterochromia, Heterosexuals, Teachers, English class Ratchet-ness, Lips, and Dancing in Tank tops. Sneaking out for Friends, Sex, Art, but mostly just art school girls. Playing with Guns, American exceptionalism, “Suicide," Shyness, confidence, and Grace.
                    With love, Beans, Espo, Stitches, Turntan.

                    OUR LINKS


                    Sure Sure

                    MORE INFO COMING SOON!



                      2/6

                      That One Guy

                      | All Ages | 8 pm

                      BUY TICKETS!
                      That One Guy

                      “Funky Bean,” “Buttmachine,” Mustaches and Laser beams. It reads like a page out of a Dr. Seuss book, but for Mike Silverman, better known as That 1 Guy, it is just the reality he was searching for.

                      At 150-200 live shows each year people gather to see his mad scientist at work, curiously watching as That 1 Guy plugs an electric chord into the heel of a cowboy boot and transforms it into an instrument. He howls and the audience joins him like a pack of coyotes. They even chime in for the song “Weasel Pot Pie,” offering rhymes to finish a line about “cinnamon scones”: Twilight Zones? Al Capones? Frank Stallones? That 1 Guy laughs and offers the grin of a Cheshire cat. Here is a man who loves his job.

                      Silverman’s back story is not dissimilar to other musicians: he grew up a music geek, influenced by his jazz musician father, and enrolled in San Francisco Conservatory of Music before joining the jazz scene himself as a sought-after percussive bassist. This is where the similarities end, though, and where That 1 Guy began. “In my case, being a bass player, I just felt very restricted by the instrument itself,” he says. “I’ve always wanted to sound different and have my own sound. I was headed that way on the bass, but for me to fully realize what I was hearing in my head sonically I was going to have to do it my way."

                      That 1 Guy set off on his own, challenging the idea of what a one-man band can and should be. Rather than altering and adding on to the bass, he started from scratch, conceptualizing and creating the Magic Pipe. Standing at seven-feet-tall, the collection of swiveling pipes, metal gears, bass strings and electronic buttons forms the shape of a harp, but is played like a futuristic gutbucket.

                      With his curious instrument, creative performances and abundant talent, That 1 Guy soon caught the attention of promoters around the world and began touring heavily, wowing crowds at Big Day Out, Glastonbury, Monterrey Jazz Festival, Lowlands, Wakarusa and numerous other festivals. In 2007 he joined Guns ‘N’ Roses guitarist Buckethead on an American tour before headlining his own “Mustaches and Laser Beams” tour through North America.

                      Despite a demanding tour schedule, That 1 Guy has no plans on slowing down in 2010. His latest album PACKS A WALLOP! brings a new dimension to his work, thanks to new sounds and a new partnership with famed sound engineer Billy Hume (Nelly, Shop Boyz, Ying Yang Twins). Recorded at Hume’s studio in Atlanta, GA, PACKS A WALLOP! stretches That 1 Guy’s soundscapes further than ever, seamlessly combining hard-hitting rock (“Modern Man”), swampy blues (“Step Into Striped Light”) and electronic groove (“Funk Bean”). Hume’s influence brings greater depth to the low frequencies and heavy beats. “I’m really proud of what we did with the album,” says That 1 Guy. “It sounds closer to what I’ve been trying to do sonically since I started.”

                      This accomplishment required a new creative process. Whereas his last two albums, The Moon is Disgusting (2006) and Songs in the Key of Beotch (2000, re-released in 2004) were created from songs that he had already performed, That 1 Guy went into The Zone with nothing but ideas, sleeping on a mattress upstairs so he could sneak in to the studio whenever he felt inspired. “I went in there with zero – nothing finished – and I lived at the studio for a month. It was really hard work, really long days, and I forced myself to craft some stuff.” The spontaneity, coupled with a tight window for completing the album, made all the difference.

                      “Human beings do our best work when we’re challenged and pushed up against the wall,” That 1 Guy explains. “By nature, we’re hunters and gathers, spending each day looking for next meal. It’s easy to be lazy when you don’t have to come up with something creative right away.”

                      His creativity continues with a new tour in support of PACKS A WALLOP! Along with the Magic Pipe, expect to see the Magic Saw and Magic Flute, as well as magic tricks. “I had never seen a magic show until about two years ago,” That 1 Guy confesses. “I had no interest in it—but now I just love it. I’m like a twelve-year-old,” incorporating magic tricks seamlessly into live performances, even using a playing card in place of a traditional pick. “So much of my music has miraculous qualities to it because it’s hard to tell what’s going on. There are lots of slights of hand and sonic misdirection. It feels like I was meant to do magic.”

                      Strange? Perhaps. But as Billboard noted, “In the case of Mike Silverman’s slamming, futuristic funk act… the normal rules of biology just don’t apply.” It suits That 1 Guy just fine.

                      “I like being my own person,” he says. “I didn’t set out to be a weirdo but I’m starting to embrace it.”

                      OUR LINKS


                      2/7

                      Yonder Mountain String Band

                      The Southern Belles

                      | All Ages | 7 pm

                      BUY TICKETS!
                      Yonder Mountain String Band

                      Yonder Mountain String Band has always played music by its own set of rules. Bending bluegrass, rock and countless other influences that the band cites, Yonder has pioneered a sound of their own. With their traditional lineup of instruments, the band may look like a traditional bluegrass band at first glance but they’ve created their own music that transcends any genre. Dave Johnston points out “What could be more pure than making your own music.” Yonder’s sound cannot be classified purely as “bluegrass” or “string music” but rather it’s an original sound created from “looking at music from [their] own experiences and doing the best job possible.” The band continues to play by their own rules on their new record The Show.

                      The Colorado-based foursome has crisscrossed the country over the past eleven years playing such varied settings as festivals, rock clubs, Red Rocks Amphitheater in the band’s home state, and recently the Democratic National Convention in Denver at Mile High Stadium opening for Barack Obama. Their loyal fanbase has been built from this diverse setting of music venues as fans latched on to their genre-defying original sound.

                      In between tours the band spent time this last year working on its fifth studio album. Set for a September 1 release on the band’s own label, The Show is the second album with rock producer Tom Rothrock (Beck, Elliott Smith, Foo Fighters). While some might scratch their heads as to why a string band would want a rock producer, this decision was a natural choice for the band. “We don’t have a lot of nostalgia for the past,” says banjo player Dave Johnston. “You shouldn’t try to recreate the 1940s. I like to think of us as informed by the past and all the great performers before us. But we also want to look forward rather than give people something that has already been perfected.”

                      The Show has the similar acoustic instrumentation (Adam Aijala on guitar, Johnston on banjo, Jeff Austin on mandolin and Ben Kaufman on bass with all four singing) as many of its classic bluegrass forefathers. Though once again drums are present (as with the self-titled fourth album) with the great Pete Thomas of Elvis Costello’s bands adding a rhythmic backdrop to Yonder’s still-acoustic sound on six of the tracks. The record consists of thirteen songs all written by Yonder.

                      The band has long cited such varied influences as the bluegrass of Del McCoury, Johnson Mountain Boys, Jimmy Martin, Bill Monroe, Osborne Brothers as well as the punk rock of Bad Religion, Black Flag and the Dead Kennedys. Somewhere in between these two tent poles are early 20th Century composers and alternative rock bands like Grandaddy and Postal Service. It’s all funneled through the band’s unique chemistry, honed since they first met at an informal club performance in 1998. With band members writing individually, in different pairings and as a collective, the album proves that this group is a collection of creative peers and you can hear it in the rich tapestry of music that makes up The Show.

                      Here Yonder offers such traditional bluegrass sounding fare as “Out Of The Blue” and “Casualty.” The band has explored its country roots in the past and does so again this time on “Steep Grade, Sharp Curves,” a song that describes the roads around its home base in Nederland as well as a particularly dangerous femme fatale. A little further from the roots is the impressionistic “Isolate” with its simple but ominous bass line and minimal arrangement. There is also a bevy of rockers like “Complicated,” “Fingerprints” and “Belle Parker,” a gem of a song about a hard-hearted woman. The band even finds some excellent middle ground between bluegrass and rock on “Fine Excuses” thanks in part to a scorching guitar solo from Adam Aijala. There is also the extended “Honestly” -- at eight-minutes, the longest song on the album, with a middle section that is an excellent platform for lengthier live excursions that are as improvisatory as any electric band on the live music circuit.

                      The band is a regular at bluegrass festivals like the Telluride Bluegrass Festival and the band's own Northwest String Summit as well as massive multi-stage events like Austin City Limits Festival, Bonnaroo and Rothbury. Fans are no doubt drawn to Yonder’s anything goes attitude, its humor and passion about music, and the band’s ability to stretch out live. “We love that people come to see us,” Johnston points out. “Everyone appreciates good music. Some people want to go to a recital and some people want to party.”

                      But as its fans know, Yonder Mountain String Band does something a little different, more than just a musical party. The Show is the band’s most varied and versatile album to date, and the summation of the journey that these guys are on together. It’s bluegrass for the masses, acoustic tunes filled with dazzling chops, and it’s fun to boot. The humble Johnston sounds as surprised as anyone by the band’s success, but knows that it all boiled down to chemistry, which has never changed. “Somewhere down there we all kind of recognized that we had something unique,” he explains. “But there is no way I could have imagined the amount of success that the band has had.”

                      OUR LINKS


                      The Southern Belles

                      MORE INFO COMING SOON!



                        2/8

                        Psymbionic

                        Widdler
                        Kraang

                        | All Ages | 8 pm

                        BUY TICKETS!
                        Psymbionic

                        MORE INFO COMING SOON!



                          Widdler

                          MORE INFO COMING SOON!



                            Kraang

                            MORE INFO COMING SOON!



                              2/16

                              Thunderkat

                              All Ages | 7 pm

                              Thunderkat

                              Based in Lawrence, Kansas, ThunderKat stands as the city’s premier 80s hard rock cover band. Voted by Best of Lawrence from 2013-2016 as a top local act, the band delivers a diverse collection of hits from Motley Crue, Poison, Bon Jovi, Def Leppard, Journey, AC/DC, Night Ranger, Billy Idol, Van Halen, Joan Jett, Prince and more. You won’t want to miss the ear-splitting spectacle of ThunderKat!

                              OUR LINKS


                              2/24

                              Haunted Summer

                              | All Ages | 8 pm

                              BUY TICKETS!
                              Haunted Summer

                              The songs of Haunted Summer are dreamy and hypnotic, rich with orchestral strings and sultry electronic textures, and with their EP, Something in the Water, the group crafted a captivatingly-ethereal musical journey through a nostalgic world of young love and long-forgotten memories. Consisting of husband-and-wife Bridgette Moody and John Seasons, who share songwriting duties in a true collaboration, the Los Angeles duo have shared the stage and toured with groups and performers including Taken By Trees, Islands, Deafheaven, Coeur De Pirate, Olafur Arnalds, Carla Morrison, Meiko, Basia Bulat, Federico Aubele, Laura Stevenson and more. They have toured the country and played venues such as The El Rey Theatre, The Great American Music Hall, The Levitt Pavilion, Amoeba Hollywood, The Observatory OC, The Glasshouse, Crescent Ballroom, North Park Theater, The Chapel, The Beauty Bar Las Vegas, Pianos, The Casbah and many more. Having completed a tour with Islands and other tour dates with David J of Bauhaus, Geographer and more, multiple headlining tours across the country among other countless tour dates, plus a month-long residency in San Francisco and LA, Haunted Summer is poised to bring their psychedelic sound to the world.

                              ---

                              The five tracks on the Something in The Water reinforce the group's ghostly vibes, with Moody's ethereal vocals blending seamlessly with spaced-out and hazy orchestral dream-pop, allowing the music to take control of your headspace like a ray of light seeping in through the cracks of a long forgotten and rundown gothic mansion. -The Portland Mercury (CT)

                              The pair’s blend of experimental guitar riffs, ethereal orchestral features, and Moody’s trance-like vocals—plus a ton of oddball electronic sounds that add even more texture—creates a sound that sticks with you. -The Seattle Weekly (Azaria Podplesky)


                              Bridgette Eliza Moody and John Seasons are the group’s mainstays, but they have smartly added other musicians to the mix, taking their music to a bolder, higher level. The use of clarinet especially enhances and grounds their sound as Moody's augmented vocals and Seasons’ languid guitar licks add ethereal layers. -The Inlander (Laura Johnson)

                              OUR LINKS


                              3/1

                              Donavon Frankenreiter

                              | All Ages | 8 pm

                              BUY TICKETS!
                              Donavon Frankenreiter

                              When Donavon Frankenreiter was 10 years old, he got his first surfboard. Six years later, he picked up his first guitar. It was the beginning of a wildly creative journey: His improvisational twin obsessions have carried him around the globe and into his fans' hearts. As Frankenreiter prepares to release his fourth album, Glow, this fall, the 37-year-old singer/songwriter/pro surfer admits he still thrives on simply taking the plunge. "We don't have a set show, if we did, I would go crazy," he says. "You never know what's going to happen. I love that element of surprise with music and surfing – you never catch the same wave twice."

                              Growing up in southern California, Frankenreiter was drawn first to guitar gods like Clapton and Page, then to songwriters like Dylan and Marley. Ska-punk soundtracked his moves in surfing films, but his first high school band was so inspired by Pearl Jam, they named it Peanut Butter and Jam. His next outfit, a Southern rock group, scored a spot on the Warped Tour and was promptly pummeled with debris whenever their harmonies followed acts like Sick of It All. He continued to play rhythm guitar with a cover band, staying comfortably out of the spotlight, until one day something clicked: he needed to branch out on his own.

                              Good pal Jack Johnson was starting up Brushfire Records, and offered Frankenreiter a shot, producing his first album of folk songs – including the hit "Free" – along with famed Beastie Boys collaborator Mario Caldato, Jr. Frankenreiter followed his 2004 self-titled debut with a full-band record, 2006's Move by Yourself (Lost Highway), where he plugged in and chronicled his life on the road. Joe Chiccarelli (The White Stripes, My Morning Jacket) produced 2008 disc Pass It Around, which featured guests Ben Harper and G. Love, and marked a major musical turning point for Frankenreiter: "The first time I started working with other writers." He kept up the spirit of collaboration on 2010's Revisited, a track-by-track reinterpretation of his debut disc through a Hawaiian lens. After relocating to Kauai fulltime with his wife and sons Ozzy and Hendrix three years ago, Frankenreiter became enamored with the sounds of the islands. "It started off with ukulele and my voice and [guitarist] Kirk Smart added slack key guitar, lap steel, and everything else, and it just kind of grew from there," he says. "It's really neat to hear an alternative version of what happened seven years ago."

                              Revisited proved a fascinating challenge, but Frankenreiter hasn't spent the last year focused on the past. And as soon as he got into a room with producer Mark Weinberg, he knew he'd found the perfect partner for Glow. "I wrote 'Keeping Me Away From You' with Mark the first time I ever met him in 30 minutes," Frankenreiter says of the warm, wistful mid-tempo track. "He looked at me and went, 'Wow, that was quick.' I asked, 'Does that normally happen?' " They recorded the entire album over three days at California's Pulse Studios, utilizing a band of crack players to amp up the original acoustic arrangements into gorgeously polished chill-out rock with U2-esque guitar flourishes ("Shadows"), lush strings ("Keeping Me Away From You"), and bluesy organ wails ("Hold On").

                              "In Your Dreams" is about the haunted home Frankenreiter lived in as a kid, where he imagined "the houses talking to me." On "All Right," what the singer calls "a bitching drum pattern" built on a synthesizer gives way to organic drums, finger-picked guitars and Frankenreiter's smoky vocals as he croons a soothing lullaby: "Let the good life shine/it's gonna be all right."

                              "The first thing I do is grab a surfboard or guitar if I'm depressed or bummed – I think that's why a lot of my songs are positive and uplifting, because those two things make me happy. I've really enjoyed living in the moment, enjoying what's going on right now," he says. The disc's title track captures this sentiment perfectly: Riding a sweet, syncopated acoustic strum, the song swells into a beautiful chorus as Frankenreiter sings, "I want to see you glow/I want to see your daylight shining all around your heart."

                              "The sounds are something I've never had on my records, ever," Frankenreiter says, adding he just played his acoustic guitar on the album and was pleasantly surprised by the addition of echo and delay on the disc's electric guitars. "I don't want to say it's a risk, but I don't know what people are going to think," he admits.

                              But in true Donavon Frankenreiter fashion, there's little room for stress on Glow. The album's 10 tracks are the perfect antidote to trying times: warm, organic, and overwhelmingly hopeful. And Frankenreiter is ready to bring the new tracks to his international fanbase as he continues to crisscross the globe on more surfing and musical adventures. "If there's anything I learned, it's that you really gotta be yourself," he says, reflecting on his career. "You can't fool people in music if you want to stick around for a long time."

                              OUR LINKS


                              3/6

                              Mike Love

                              Jungle Man

                              | All Ages | 8 pm

                              BUY TICKETS!
                              Mike Love

                              Revolutionary music may seem hard to come by in these days and times. Long gone is the era of artists like Bob Marley, The Clash, Stevie Wonder and Patti Smith getting airplay and bringing their messages to the masses. But that doesn’t mean that the revolution isn’t still brewing in the hearts and minds of many people around the globe.

                              Meet Mike Love. One of reggae music’s rising stars. Born and raised in Oahu, Hawaii to a musical family that spans generations, Mike Love brings a multitude of influences to the table, all tied together by the common goal of making the world a better place. Through the grassroots method of releasing his albums independently, on his own Love Not War Records label, and performing 250 plus shows a year, Love has built an ever growing following for his unique and inspiring music. He has toured with many artists in the circles of conscious, roots music, including Trevor Hall, Xavier Rudd, Nahko and many more. Over the past few years he performed to enthusiastic audiences at the California Roots Festival, Wakarusa, Wanderlust and the Montreal Jazz Fest, just to name a few. He has also enjoyed great success and exposure through the web on outlets like YouTube, with one of his videos just recently hitting 5 million views!

                              On his award winning debut album, The Change I’m Seeking, Love harkens the legends of roots reggae in both his lyrics and his sound, but never relies on any one genre to hold him down. Coming from a wealth of influences, Love fuses the simple rhythms of classic reggae with the complex changes of the classical and rock music he was first trained on to come up with a style wholly unique to him. On his follow up album, Love Will Find A Way, released September 1st, 2015, Love further refines his sound and message, with grand and striking arrangements and deep heartfelt emotions, he takes you on a journey which many describe as "life changing". He calls for immediate and drastic change in environmental impact on "Step Lightly", affirms his connection with fans on "I Love You, and shows a vulnerable and touching insight into his personal life on "Advaya's Song" and "No Regrets".

                              But it’s his message, his passion, the wisdom behind his words that truly resonate with his fans. “It’s always been about the depth,” Mike Love explains, “I’ve never been into music that was shallow. I’m still learning about where I’m going and where I want to be. All the music is a learning tool for me too. I just make myself open to it and the messages come through. It’s just as teaching and healing for me as it is for anyone.”

                              His songs take you on a journey, one of healing and inspiration. One designed to help you on your path to knowledge, wisdom and understanding. On “Permanent Holiday” he takes you on a lyrical quest for freedom, both his and yours. He laments the ills of the world but also discusses solutions and ideas to change them. On "Earthlings" he sings about being vegan, about animal cruelty and about holding yourself accountable for your actions. These are songs with messages designed to affect change in a time when it is so desperately necessary.

                              With tours already booked in the U.S., Canada, Central America and Australia, 2016 is shaping up to be a big year of even more growth for Love and his musical family!

                              Mike Love has shared the stage with artists like Michael Franti, Trevor Hall, Nahko & Medicine For The People, Xavier Rudd, Rebelution, John Butler Trio, Groundation, Steel Pulse, Dave Matthews and Jack Johnson.

                              Revolutionary, Conscious, Music.

                              OUR LINKS


                              Jungle Man

                              MORE INFO COMING SOON!



                                3/13

                                Pigeons Playing Ping Pong

                                John Hertler & the Rainbow Seekers

                                | All Ages | 8 pm

                                BUY TICKETS!
                                Pigeons Playing Ping Pong

                                MORE INFO COMING SOON!



                                  John Hertler & the Rainbow Seekers

                                  MORE INFO COMING SOON!



                                    3/14

                                    Declan McKenna

                                    Chappell Roan

                                    | All Ages | 6:30 pm

                                    BUY TICKETS!
                                    Declan McKenna

                                    British indie singer/songwriter Declan McKenna first emerged in 2015 with the shimmering, politically charged single "Brazil," which directly addressed the corruption scandal then engulfing soccer's governing body, FIFA. The teenaged Hertfordshire native had only a handful of self-released tracks to his name, having uploaded them to his Bandcamp page. Obsessed with Bowie and with an attitude recalling the Libertines and Jamie T., McKenna blended bright indie pop with textural lo-fi. As "Brazil" gained traction throughout 2015, McKenna's star began to rise, and that summer he took home the Glastonbury Festival's coveted Emerging Talent prize. Hyperbolically dubbed "the voice of a generation," he signed a management contract with industry giant Q-Prime, leading to a bidding war which resulted in his signing to Columbia. His follow-up single, "Paracetamol," arrived in November 2015, proving that he was no one-hit wonder. The EPs Stains and Liar followed in 2016, along with a string of socially conscious singles tackling such weighty topics as police brutality, religion, and terrorism. All six of his previously released singles eventually wound up on his bright, eclectic debut album, What Do You Think About the Car?, produced by Simian Mobile Disco's James Ford and released in summer 2017.

                                    OUR LINKS


                                    Chappell Roan

                                    MORE INFO COMING SOON!



                                      4/19

                                      Wild Child

                                      | All Ages | 8 pm

                                      BUY TICKETS!
                                      Wild Child

                                      Wild Child doesn’t want a place to hide. Song after song, town after town, they’ll wear their hearts on their sleeves, addicted to the rush that only comes when thousands of strangers know all your secrets and sing them back to you, because they’re their secrets, too.“It’s not necessarily the performing that’s addictive, but being able to connect with that many people at once,” says Kelsey Wilson, who shares lead vocal and songwriting responsibilities for the Austin-based seven-piece band with Alexander Beggins. “You feel like you’re together in something––like you experience the whole thing together. It’s family therapy with a lot of dancing.”Wild Child’s third album Fools (out via Dualtone Records) is an ambitious collection of lush pop that takes sad stories and transforms them into an ebullient love letter to the power of music and the art of living with yourself.Made up of Kelsey on violin and vocals, Alexander on ukulele and vocals, Evan Magers on keyboards, Sadie Wolfe on cello, Chris D’Annunzio on bass, Drew Brunetti on drums, and Matt Bradshaw on trumpet, Wild Child has built a sprawling grassroots following on the strength of high-spirited live shows that feel like self-contained joy benders, along with two precocious albums.2011’s Pillow Talk notched four no. 1 singles on indie pulse monitor Hype Machine, spurred on by music bloggers who fell early and hard for the quirky group. 2013’s The Runaround upped the ante, making best-of lists and garnering glowing reviews and write-ups from NPR, Paste, Pop Matters, and many others. Then Wild Child hit TV, performing on the Late Late Show with Craig Ferguson and serving as the featured artists on CBS Saturday Morning. Since forming five years ago after Kelsey and Alexander met during a stint as members of a backup band for a Danish artist’s U.S. tour, Wild Child has gone from playing shows for nine people to selling out venues across North America and Europe.Not bad for an indie outfit who, up until now, has been thriving without radio spins or record label muscle. And it all started when two Texas kids too scared to sing for crowds discovered they wrote hauntingly good songs together.Wild Child recorded Fools at Doll House Studios in Savannah, Georgia. Produced by Peter Mavrogeorgis and David Plakon with additional tracks helmed by red-letter guest producers Max Frost (“Break Bones”) and Chris “Frenchie” Smith (“Trillo Talk”), Fools reveals that while Austin’s favorite gang of lost boys and girls have grown up to become fiercely skilled musicians who have charmed the world, their faces remain grinning and often painted, spirits stubborn and free, barbs sharp and cathartic.

                                      OUR LINKS


                                      Full Calendar

                                      Home » Full Calendar

                                      OUR FULL CALENDAR

                                      December
                                      30
                                      Saturday

                                      DOORS AT 7:00 pm

                                      SHOW AT 8:00 pm

                                      SOLD OUT!
                                      $16.50
                                      All Ages
                                      December
                                      31
                                      Sunday

                                      DOORS AT 7:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      January
                                      13
                                      Saturday

                                      The Bottleneck

                                      DigiTour:Arctic Lights

                                      DOORS AT 3:00 pm

                                      SHOW AT 4:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      January
                                      13
                                      Saturday

                                      The Bottleneck

                                      The Pickin Pear

                                      DOORS AT 9:00 pm

                                      SHOW AT 10:00 pm

                                      All Ages
                                      January
                                      26
                                      Friday

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      February
                                      1
                                      Thursday

                                      The Bottleneck

                                      Hippo Campus

                                      Sure Sure

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      February
                                      6
                                      Tuesday

                                      The Bottleneck

                                      That One Guy

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      February
                                      7
                                      Wednesday

                                      DOORS AT 7:00 pm

                                      SHOW AT 8:00 pm

                                      BUY TICKETS!
                                      $29.50
                                      All Ages
                                      February
                                      8
                                      Thursday

                                      The Bottleneck

                                      Psymbionic

                                      Widdler
                                      Kraang

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      $7.50
                                      All Ages
                                      February
                                      16
                                      Friday

                                      The Bottleneck

                                      Thunderkat

                                      DOORS AT 7:00 pm

                                      SHOW AT 8:00 pm

                                      All Ages
                                      February
                                      24
                                      Saturday

                                      The Bottleneck

                                      Haunted Summer

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      March
                                      1
                                      Thursday

                                      The Bottleneck

                                      Donavon Frankenreiter

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      March
                                      6
                                      Tuesday

                                      The Bottleneck

                                      Mike Love

                                      Jungle Man

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      March
                                      13
                                      Tuesday

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      All Ages
                                      March
                                      14
                                      Wednesday

                                      The Bottleneck

                                      Declan McKenna

                                      Chappell Roan

                                      DOORS AT 6:30 pm

                                      SHOW AT 7:30 pm

                                      BUY TICKETS!
                                      All Ages
                                      April
                                      19
                                      Thursday

                                      The Bottleneck

                                      Wild Child

                                      DOORS AT 8:00 pm

                                      SHOW AT 9:00 pm

                                      BUY TICKETS!
                                      $13
                                      All Ages